Más acerca de ‘The Infatuations’

The Infatuations recorteCatching up with Stuart Roberts

In an effort to get to know our Oxford University Press staff better, we’re featuring interviewing our staff in different offices.

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What are you reading right now?

Javier Marías’ new novel The Infatuations. It’s a haunting, beautiful murder mystery. I’ve already gifted several copies. Bedside, I’m enjoying evenings with one of Oxford University Press (OUP)’s own — The Great Sea: A Human History of the Mediterranean. It’s an adventure story at heart.

Open the book you’re currently reading and turn to page 75. Tell us the title of the book, and the third sentence on that page.

The Infatuations: “All those speaking objects have been left dumb and meaningless, as if a blanket had been thrown over them to silence and soothe them, making them think that night has come, or as if they, too, regretted the loss of their owner and had withdrawn instantaneously, strangely aware that they had become redundant, futile, and were thinking: “What will we do here now?”

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ALYSSA BENDER

Oxford University Press’s Blog, January 11, 2014

2013 a breakout year for unknown writers such as Drndic, Ledgard

Unlike 2012, 2013 was low on releases from heavyweight authors, but this was no bad thing, as it meant there were more surprises for the reader from breakthrough or unknown writers.

Trieste by Daša Drndic was an outstanding debut novel with Sebaldian undertones about the Nazi occupation of northern Italy. Drndic blended fact and fiction and incorporated photos, maps and lists of Jewish deportees to produce a harrowing, affecting and gripping reading experience. Submergence by J M Ledgard flitted between a kidnapped spy in Somalia and a scientist exploring the depths of the ocean; a third strand covered their romance in a snowbound French hotel; powerful prose with lyrical flurries and characters that mattered kept me entranced. Two established writers continued to work wonders: John le Carré’s A Delicate Truth and Javier Marías’s The Infatuations proved that certain old masters are still rich with ideas and the talent to express them.

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MALCOLM FORBES

The National (Abu Dhabi), December 25, 2013